During the outbreak of The Great War (WWI), Albert's father sells his horse, Joey to the cavalry and is later shipped to France. Joey then serves the British Army but later with the tides of the war turning, serves the German Army. He also befriends another army horse named Tophorn and both are taken into an odyssey through enemy lines, cross fires and later No Man's Land (a land between two enemy trenches filled barb wires). Distraught at the loss of Joey, Albert, although still too young, conscripts with the British Army and sets out to find Joey in France.
It's an astounding production that came from the National Theatre of London and directed by Marianne Elliot and Tom Morris. Both won the 2011 Tony for best direction of a play. It is a pretty straight forward war/coming of age story but what makes this production impressive is it's use of horse puppetry (made by the Handspring Puppet Company). Each horse is controlled by three handlers two underneath the horse and one controlling the head and neck. When the play started, I found myself trying to watch how the puppeteers were controlling the horse but after a while they just disappear and one starts to see just the horse, alive onstage. The horse movements are so nuanced (thanks to Toby Sedgwick who developed the "horse choreography") it's uncanny.
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